Home in the Desert

“At Home in the Desert: Youth Engagement and Place,” is three inter-related performance projects that involve young people in artmaking about their desert home. The project is a partnership between the ASU Herberger Institute for Design and the Arts (HIDA) Public Practice Initiative, The Boys & Girls Clubs of Metropolitan Phoenix (BGCMP),Girl ScoutsArizona Cactus-Pine Council, and South Mountain High School.  The project began with a generous seed grant from the ASU Institute for Humanities Research as a collaboration between Elizabeth Johnson (HIDA coordinator of public practice in the arts), Melissa Britt (ASU School of Dance), Mary Fitzgerald (ASU School of Dance), Susan Griffin (South Mountain High School), Richard Mook (ASU School of Music) Tomas Stanton (performer and social activist), and Stephani Woodson (ASU School of Theatre and Film). Linda Essig (ASU School of Theatre and Film) assists with program evaluation.

Support from the National Endowment for the Arts will enable the project to continue to engage young people in artmaking about their desert home through December 2012.

Two public events are currently being planned:

April 13 2012: Public Showing and Discussion in a Phoenix location TBD

October 2012: Desert One Festival at the ASU Art Museum


3 Responses to “Home in the Desert”

Trackbacks/Pingbacks

  1. There’s Something Happening Here – 2 | Creative Infrastructure - March 15, 2012

    [...] (although perhaps in collaboration with them), but by the people who live there. (see Home in the Desert for more information on this project, which happens to be funded in part by a grant from the [...]

  2. Culture Quilt | Creative Infrastructure - March 21, 2012

    [...] don’t see there through movement.  The result was new material that the students will perform as a work in progress in April.  It was deeply moving.  Later that same day, I observed about a dozen adolescents at a [...]

  3. Deep Impact | Creative Infrastructure - May 6, 2012

    [...] that is achieving significant impact through deep participation and co-creation.  This project, At Home in the Desert, has taken me about as far from where I started in NYC commercial theatre as one can get without [...]

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